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- <text id=94TT1659>
- <title>
- Nov. 28, 1994: Cover:Show Business:Torch Passed
- </title>
- <history>
- TIME--The Weekly Newsmagazine--1994
- Nov. 28, 1994 Star Trek
- </history>
- <article>
- <source>Time Magazine</source>
- <hdr>
- COVER/ARTS & MEDIA/SHOW BUSINESS, Page 76
- The Torch Has Passed Off-Camera, Too
- </hdr>
- <body>
- <p> What becomes a legend most? For Rick Berman, who teamed up with
- Star Trek creator Gene Roddenberry in 1987 and inherited the
- franchise mantle after Roddenberry's death four years later,
- the challenge has been to honor the creator's concept while
- also moving it forward. The original series was set in the 23rd
- century, The Next Generation in the 24th; but the century Berman
- has to worry about is the 21st.
- </p>
- <p> "Star Trek was never, and hopefully never will be, my vision
- of the future," says Berman, 48, a former documentary filmmaker
- and children's TV producer. "It's Gene Roddenberry's vision
- that I agreed to uphold." The job is trickier than it might
- seem. Berman, a vice president at Paramount when Roddenberry
- tapped him as the producer of The Next Generation, has had to
- sail his enterprise between the Scylla of Roddenberry's own
- "prime directive"--a stricture against any conflict among
- members of Starfleet--and the Charybdis of mass-market appeal.
- </p>
- <p> "I went through a rather strenuous apprenticeship," recalls
- Berman, a workaholic with few outside interests other than his
- wife Elizabeth and their three children. "I learned what was
- Star Trek and what wasn't. I learned all the nomenclature, all
- the rules and regulations. I learned the difference between
- shields and deflectors--that was a day right there. Slowly,
- Gene began to trust my judgment and also to trust that I would
- adhere to the rules, that I would not be someone who would want
- to change Star Trek."
- </p>
- <p> Still, he says, "there were some things that existed with Roddenberry
- that were very frustrating to us. Not to have conflict among
- your characters makes it very difficult, because all the conflict
- has to come from outside. On The Next Generation, with the exception
- of an android and a Klingon, pretty much everyone was human,
- and they weren't allowed to be involved in conflict, so that
- was very frustrating for the writers."
- </p>
- <p> So frustrating that in the first two seasons TNG writers came
- and went like Tribbles as Roddenberry assiduously rewrote nearly
- every script to conform to his notion of futuristic collegiality
- and his distaste for warfare. He had written for such popular
- shows as Dragnet and Have Gun Will Travel, and candidly envisioned
- the original Star Trek series as a "Wagon Train to the stars."
- In his quintessentially '60s view, the final frontier may have
- been full of hostile Klingons and dangerous Romulans, but they
- were generally susceptible to a pep talk--only occasionally
- augmented by a punch in the nose--from Captain Kirk. "Everyone
- always wants me to do space battles," Roddenberry remarked in
- 1989. "Well, screw them. That's not what Star Trek is about."
- </p>
- <p> Conflict, however, is the stuff of drama, and space battles
- are what the paying public wants to see, especially on the big
- screen. Since Roddenberry's death, Berman has evolved Star Trek
- into something darker, more elemental and more mysterious. "Rick
- was a little more broadminded about what I was permitted to
- explore as a character," observes Patrick Stewart, TNG's Captain
- Picard, and the new shows are stretching the Star Trek guidelines
- even more. On the current Deep Space Nine, set on a remote space
- station, Starfleet officers tangle with the alien races who
- share the outpost. And in the forthcoming Voyager series (which
- features the first female starship captain in a leading role,
- albeit in a form-fitting uniform), Federation stalwarts must
- make an uneasy truce with a contentious band taken on board
- in a distant part of the universe. "This way," explains Berman,
- "you have a core group of people who were not all brought up
- on Gene Roddenberry's 24th century Earth. They don't have to
- follow the rules."
- </p>
- <p> Whether that reasoning will pass muster down the line remains
- to be seen, since Trek fans are notoriously alert to any noncanonical
- deviations from Roddenberry's holy writ. "The laws of Star Trek
- are totally fictional but are held by the fans with such reverence
- that they have to be followed as if they were Newton's," says
- Berman. "You have to treat them very carefully, because there
- are people who for 25 years have considered them sacred." Even
- so, there are times he contemplates heresy: on his desk sits
- a bust of Roddenberry, its eyes and ears covered by a blindfold.
- "Things are sometimes said in this office that he probably would
- not like to hear," Berman says.
- </p>
- <p>-- By Michael Walsh. Reported by Dan Cray/Los Angeles
- </p>
- </body>
- </article>
- </text>
-
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